https://www.dfm.mt/items/workshopsday3

https://www.dfm.mt/items/dfm-day-2

https://www.dfm.mt/items/dfm-day-1

https://monodrama.lu/events/panopticon-2026

https://www.impulstanz.com/en/publicmoves/pid1673/

https://www.impulstanz.com/en/publicmoves/pid1672/

https://mimefestival.com/festival/artistView?no=1048

https://mimefestival.com/festival/programView?no=1055

https://mimefestival.com/festival/programView?no=1029

https://arcfordancefestival.gr/en/performance/lucid-absurdities/

https://www.posthof.at/event/vasiliki-papapostolou-urban-arts-ensemble-ruhr

https://www.in2itfest.no/events/double-bill-panopticon-chasing-butterflies

https://www.in2itfest.no/events/proda-workshop-med-tarantism-gr

https://www.in2itfest.no/events/lucid-absurdities-tarantism-gr

The Unseen explores how invisible forces—desire, control, attachment, and influence—leave lasting marks on our bodies, movements, and relationships. Two figures navigate a space that is part stage, part game, part mirror, caught between what they choose and what is imposed upon them.

Through interactions with a single chair, the two characters move between resistance, surrender, and mirroring. The chair becomes a catalyst: at times a site of control, at times an object of obsession, at times a reflection of themselves. Their movements repeat, echo, and escalate, tracing cycles of attachment, influence, and transformation.

The title points to the central tension of the work: like a brand, the unseen forces of desire and control leave marks that shape identity and behavior, even when their presence is not directly visible.

Credits

Choreography/ Performancet: Vasiliki Papapostolou aka Tarantism, Kalli Tarasidou,

Music: "Adagio for Strings, Op. 11" by Samuel Barber

Sound Design: Christopher Nas

https://docs.google.com/forms/d/e/1FAIpQLSdPCMRnkaFBnnrtPXG1p--_B8meUwbDtCgTf29lqTb-a1rdMQ/viewform

https://docs.google.com/forms/d/e/1FAIpQLSdPCMRnkaFBnnrtPXG1p--_B8meUwbDtCgTf29lqTb-a1rdMQ/viewform